Global Underground: Nubreed 006
The documented Satoshi Tomiie mix compilation provides a contemporary DJ reference, rather than a claimed identification of the archived radio audio.
Artist
Satoshi Tomiie 7-1-2002
Why we feature this artist Satoshi Tomiie: the DJ in the long mix A date attached to Satoshi Tomiie's name points to a particular stretch of the radio archive. His documented 2002 Nubreed mix offers a useful companion: the work of a DJ shaping a whole sequence…
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The artist, in context
The story of Satoshi Tomiie 7-1-2002
Why we feature this artist
Satoshi Tomiie: the DJ in the long mix
A date attached to Satoshi Tomiie's name points to a particular stretch of the radio archive. His documented 2002 Nubreed mix offers a useful companion: the work of a DJ shaping a whole sequence, already years into a recording career.
Before the dated set
Tomiie's artist biography traces the studio story through Tears with Frankie Knuckles in 1989 and the Full Lick album in 1999. It also records his background in jazz and classical piano. Those are separate parts of the craft: making an individual record, understanding its musical construction and deciding where it can sit among other people's music. A radio mix brings the third part to the foreground, with transitions and pacing carrying as much weight as a familiar title.
Nubreed in the same year
Global Underground: Nubreed 006 appeared in 2002, a confirmed commercial mix in the same period as this archive label. It should not be treated as the track list for the Party 93.1 recording. The original programme log or a verified source recording would be needed to establish the precise date and version here. For the broader story, YGEN's main Satoshi Tomiie profile follows the later studio catalogue, including New Day. This page keeps the narrower radio reference visible without borrowing a commercial mix's running order.