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Artist

3 Of A Kind

Why we feature this artist One garage-pop single leaves a very clear impression Baby Cakes gives 3 of a Kind a whole musical identity in a few seconds. The light vocal, skipping rhythm and repeating keyboard idea make the song feel immediate, with very little …

From
United Kingdom
Sound
2-step garage
Active
2004

Start with the music

Tracks to explore

1 track

The artist, in context

The story of 3 Of A Kind

Why we feature this artist

One garage-pop single leaves a very clear impression

Baby Cakes gives 3 of a Kind a whole musical identity in a few seconds. The light vocal, skipping rhythm and repeating keyboard idea make the song feel immediate, with very little unnecessary material between the first entrance and the refrain.

The recording arrives after the song has already existed

The trio comprised Nicholas Gallante, Liana Caruana and Marc Portelli. Caruana’s account of the writing places the song’s beginnings in 1998, several years before its 2004 breakthrough, with the television film Babycakes providing part of the original inspiration. The delayed public arrival gives a more specific history to a record that seemed to appear suddenly.

The single reached number one in the UK in August 2004 through the Relentless and Virgin release. Its two-step setting connects it to garage, but the bright, plainly stated melodic line gives it a particularly concentrated pop personality. The rhythm keeps moving around the voice rather than insisting on a heavy accent at every expected point.

The brevity is part of the record’s place in the period

The original campaign did not produce a familiar succession of follow-up singles and albums. That makes the actual recording more useful than an attempt to imagine a larger catalogue around it. Baby Cakes captures a moment when a garage-derived groove could become a very direct summer pop song, with the vocal’s apparent innocence supplying much of the character. Its economy remains striking. A short instrumental phrase prepares the next sung entrance, a small rhythmic gap gives the hook another place to land and the repetition makes the emotional proposition sound increasingly certain. The record’s identity survives because those elements remain so easy to recognise together. One widely heard song can still be a complete musical scene, preserving the particular combination of voices, writing and production that made it possible.

Essential releases

2004

Baby Cakes

Sources and further reading

Official Charts — original trio, first-person writing history and 2004 release context

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Official Charts — Baby Cakes original single, label and chronology

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