Artist
Foxes
Why we feature this artist Dramatic pop with movement in its bones Foxes makes pop that treats emotion as something the body can move through. Louisa Rose Allen's voice can sound exposed in a verse, then open into a chorus with much greater force. From Youth t…
- From
- United Kingdom
- Sound
- Dance-pop, electropop
- Active
- 2011–present
Start with the music
Tracks to explore
The artist, in context
The story of Foxes
Why we feature this artist
Dramatic pop with movement in its bones
Foxes makes pop that treats emotion as something the body can move through. Louisa Rose Allen's voice can sound exposed in a verse, then open into a chorus with much greater force. From Youth to Sister Ray, the records repeatedly find a useful tension between private uncertainty and the release promised by a strong dance rhythm.
Glorious and the first breakthrough
The Southampton singer began releasing music as Foxes before her vocal on Zedd's Clarity introduced her to a much larger audience. The collaboration placed a clear, emotionally direct performance at the centre of a large electronic production. Her own debut album, Glorious, followed in 2014, giving that voice a more varied set of surroundings.
Youth, Let Go for Tonight and Holding onto Heaven established a dramatic but accessible sound. The arrangements could lift quickly, yet the singing often carried a note of unease that made the uplift feel earned. Foxes was not simply supplying a large vocal over a beat; the transitions between a more vulnerable line and a confident refrain were central to the songs' shape.
Two different kinds of release
All I Need appeared in 2016, including Body Talk, Better Love and Amazing. Better Love was co-written with Bastille's Dan Smith, one of several collaborators involved in refining the second record. The album kept the directness of the debut while allowing more room for changing emotional states, rather than making every track reach for the same kind of climax.
The Kick arrived through PIAS in 2022, with Sister Ray announcing a brighter dance-pop direction. The music makes movement an answer to difficult feelings without suggesting it can erase them. The distance between the first album and The Kick is partly a difference in framing: the earlier songs often stage the emotional storm, while the later record seems particularly interested in the moment someone chooses to step onto the floor anyway.
Essential releases
Glorious
Youth and Let Go for Tonight introduce the combination of vulnerable phrasing and dramatic pop release.
All I Need
Body Talk, Better Love and Amazing give the second album several distinct emotional and rhythmic centres.
The Kick
Sister Ray leads a vivid dance-pop record with a more explicitly physical sense of escape.