Artist
Gabrielle Aplin
Why we feature this artist The songwriter beyond the first winter ballad Gabrielle Aplin reached a large audience with a cover, but her own songs give a fuller picture. The Wiltshire singer and songwriter began with an intimate acoustic presentation, then grad…
- From
- United Kingdom
- Sound
- Folk, indie folk, indie rock, synthpop
- Active
- 2008–present
Start with the music
Tracks to explore
The artist, in context
The story of Gabrielle Aplin
Why we feature this artist
The songwriter beyond the first winter ballad
Gabrielle Aplin reached a large audience with a cover, but her own songs give a fuller picture. The Wiltshire singer and songwriter began with an intimate acoustic presentation, then gradually made more room for a band, stronger rhythms and electronic colour. Her clear, sometimes breathy delivery remained a useful link between those settings.
English Rain
Early online performances and independently released EPs preceded the major-label debut. In 2012, Aplin recorded Frankie Goes to Hollywood's The Power of Love for a John Lewis Christmas campaign. Her restrained version became a British number one, making a familiar song feel newly exposed and introducing the voice before many listeners had heard her own writing.
English Rain followed in 2013, including Please Don't Say You Love Me, Panic Cord and Home. The originals are important to the album's identity: they place uncertainty, movement and difficult conversations inside concise melodic structures. The arrangements often begin modestly, allowing the words to establish a situation before the accompaniment expands around them.
Opening the arrangements
Light Up the Dark appeared in 2015, giving the music a more pronounced band sound. The title track and Sweet Nothing had a different physical energy from the spare performance that first made her widely familiar. Aplin's singing could still be delicate, but the songs no longer needed to remain quiet for that delicacy to register.
Dear Happy in 2020 took the production further toward contemporary pop, following material such as Miss You and My Mistake. The shift makes the earlier records easier to place in perspective: the acoustic setting was a starting point, not the entire identity. Across the changes, Aplin's writing often catches a person at the moment before an important sentence can be said plainly, then lets the chorus provide the release.
Essential releases
English Rain
Please Don't Say You Love Me and Panic Cord give the debut an identity beyond its famous cover version.
Light Up the Dark
The title track and Sweet Nothing place the songs inside a more assertive band sound.
Dear Happy
A broader pop production palette frames the next stage of Aplin's songwriting.