Artist
Guano Apes
Why we feature this artist A voice that could cut straight through the guitar Guano Apes made their first impact with the sound of a band already at full stretch. Sandra Nasic could move from a tightly controlled phrase into a rasping cry, while the instrument…
- From
- Germany
- Sound
- Alternative rock
- Active
- 1994–2006, 2009–present
Start with the music
Tracks to explore
The artist, in context
The story of Guano Apes
Why we feature this artist
A voice that could cut straight through the guitar
Guano Apes made their first impact with the sound of a band already at full stretch. Sandra Nasic could move from a tightly controlled phrase into a rasping cry, while the instruments gave her a springy, forceful rhythm to work against. Open Your Eyes introduced that combination with almost no preliminary explanation.
Proud Like a God
The Göttingen band brought Nasic together with guitarist Henning Rümenapp, bassist Stefan Ude and drummer Dennis Poschwatta. Proud Like a God appeared in 1997, putting Open Your Eyes, Rain and Lords of the Boards into the same debut. The music drew on heavy alternative rock without losing the rhythmic bounce that made the songs effective beyond a purely metal audience.
Nasic was central to the identity, but the arrangements depended on more than the contrast between quiet singing and a scream. Bass and drums often gave a riff its sense of movement, while the guitar could shift from a clipped figure to a much larger sound. The tracks were concise enough for an immediate chorus to remain visible inside the force of the performance.
The next two albums
Don't Give Me Names followed in 2000. Big in Japan recast the Alphaville song in the band's heavier vocabulary, using the recognisable melody as material for a substantially different performance. No Speech and other originals made clear that the group's energy did not depend only on the surprise of that cover version.
Walking on a Thin Line arrived in 2003, including You Can't Stop Me and Pretty in Scarlet. The latter gave the melodic side of the writing a particularly clear setting, with Nasic able to sustain tension without remaining at maximum volume. Across the first three albums, the band learned how to vary the pressure while preserving the immediate physical character of the debut.
Essential releases
Proud Like a God
Open Your Eyes and Lords of the Boards establish the early mix of heavy guitar and agile rhythmic movement.
Don’t Give Me Names
The Alphaville cover Big in Japan joins a new set of forceful original songs.
Walking on a Thin Line
Pretty in Scarlet and You Can't Stop Me broaden the dynamic and melodic range.