Artist
Idlewild
Why we feature this artist From a rush of noise to Scottish Fiction Idlewild's early records seemed to arrive at a run, with guitars pushing against Roddy Woomble's voice and little interest in making a smooth entrance. Over the next few albums, the Edinburgh …
- From
- United Kingdom
- Sound
- Indie rock, alternative rock, punk rock
- Active
- 1995–2010, 2013–present
Start with the music
Tracks to explore
The artist, in context
The story of Idlewild
Why we feature this artist
From a rush of noise to Scottish Fiction
Idlewild's early records seemed to arrive at a run, with guitars pushing against Roddy Woomble's voice and little interest in making a smooth entrance. Over the next few albums, the Edinburgh band learned how to give that energy a much broader melodic shape. The change made the songs more open without erasing the friction that had first defined them.
Captain, Hope Is Important and 100 Broken Windows
Woomble, guitarist Rod Jones and drummer Colin Newton were central to the group that developed in the nineties. The Captain mini-album and Hope Is Important appeared in 1998, establishing a restless, abrasive sound. The writing already contained strong melodies, but the performances often seemed determined to reach them through a tangle of movement and noise.
100 Broken Windows followed in 2000, with Little Discourage, These Wooden Ideas and Roseability. The band gave the choruses more space and the guitar parts a clearer role in shaping the songs. Woomble's words could remain elusive, yet the vocal lines made a direct emotional connection. The record's force came from refinement rather than a simple reduction in volume.
The Remote Part
The Remote Part arrived in 2002, bringing You Held the World in Your Arms and American English to a larger audience. The arrangements had greater reach, while the singing sounded more settled at their centre. The closing In Remote Part / Scottish Fiction included the voice of poet Edwin Morgan, making the record's connection to Scottish language and imagination explicit without turning it into a slogan.
Warnings/Promises in 2005 continued toward a more spacious, sometimes folk-coloured sound, with Love Steals Us from Loneliness among its principal songs. Heard across that sequence, Idlewild's development is unusually satisfying: the early urgency does not disappear, but finds new ways to move through a melody, a longer instrumental passage or a line allowed to remain unresolved after the guitars have eased back.
Essential releases
100 Broken Windows
Little Discourage and Roseability give the early energy a more clearly defined melodic shape.
The Remote Part
American English and You Held the World in Your Arms sit beside the Edwin Morgan collaboration that closes the album.
Warnings/Promises
Love Steals Us from Loneliness introduces a more spacious chapter in the band's writing.