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Iio

Why we feature this artist A voice floating just above the beat iiO’s “Rapture” has a particular way of sounding intimate in a large space. Nadia Ali’s vocal does not have to shout across the rhythm; it seems to hover inside it, with a cool surface and a much …

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The story of Iio

Why we feature this artist

A voice floating just above the beat

iiO’s “Rapture” has a particular way of sounding intimate in a large space. Nadia Ali’s vocal does not have to shout across the rhythm; it seems to hover inside it, with a cool surface and a much less settled feeling underneath. The production supplies movement while the melody gives that movement a private emotional direction.

The first recognisable shape

The New York project brought Ali together with producer Markus Moser. “Rapture” reached a broad audience in 2001, finding a place both in clubs and in a more conventional pop setting. The song’s strength survives those different contexts because its vocal phrases already have a clear shape before a particular remix changes the surrounding scale.

“At the End” followed in 2002, preserving the close relationship between a distinctive sung line and an electronic pulse. The voice can hold a note across the rhythm or enter in shorter phrases, keeping the arrangement from feeling like a fixed loop with a vocal merely laid over it.

The album behind the club records

Poetica gathered a wider set of songs, including “Smooth”, “Kiss You” and “Is It Love”. It is useful for hearing the project outside the most familiar version of the breakthrough single. The production changes from track to track, while Ali’s tone gives the different settings an unmistakable point of connection.

A good first route begins with the original songs and then follows their alternate mixes. The remixes can make a track harder, lighter or more expansive, but they also reveal what was already distinctive in the writing. Listen to the spaces around the vocal and to the way a bass line changes the weight of the same phrase. iiO’s early records are especially persuasive when the dance-floor motion and the quieter uncertainty in the singing are both allowed to remain audible.

Essential releases

2001

Rapture

2002

At the End

2005–2006

Poetica

Sources and further reading

Rapture — original Official Charts release record

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At the End — original song credits and release catalogue

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Poetica — Made Records album catalogue

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