Artist
Kaiser Chiefs
Why we feature this artist The shout that becomes a very good pop song Kaiser Chiefs give guitar pop the momentum of people moving through the same room. The rhythms are brisk, the keyboard figures are sharply defined and a short vocal phrase can become the ho…
- From
- United Kingdom
- Sound
- Indie rock
- Active
- 1996–present
Start with the music
Tracks to explore
The artist, in context
The story of Kaiser Chiefs
Why we feature this artist
The shout that becomes a very good pop song
Kaiser Chiefs give guitar pop the momentum of people moving through the same room. The rhythms are brisk, the keyboard figures are sharply defined and a short vocal phrase can become the hook before the chorus has properly arrived. The songs are more observant and carefully organised than their immediate exuberance might suggest.
The first album makes its own commotion
Employment arrived in 2005 with I Predict a Riot, Oh My God and Everyday I Love You Less and Less. Each has a different musical outline, but the band’s identity is already clear: tightly arranged guitars and keyboards, a strong rhythmic push and Ricky Wilson’s voice making an everyday phrase sound theatrical. The songs do not wait long to establish their character.
There is also a useful tension between the lively sound and the scenes in the writing. An energetic arrangement can carry irritation, social unease or a slightly absurd observation. Hearing the verses as closely as the choruses makes the album more interesting than a collection of crowd-pleasing chants alone.
The melodic frame gets wider
Yours Truly, Angry Mob followed in 2007, with Ruby giving the band one of its most immediately recognisable melodic hooks. The title track takes another route, building a more pointed and repetitive dramatic movement. Off with Their Heads in 2008 continued the development through songs including Never Miss a Beat. The early records are particularly rewarding as a sequence because the group keeps finding new shapes for a familiar rhythmic energy. A keyboard accent, a shouted response or a brief change in pace can make the whole arrangement feel different. The later catalogue adds further settings, but the first run remains a clear account of a band turning sharp observations and compact musical ideas into songs that are easy to share without becoming anonymous.
Essential releases
Employment
I Predict a Riot, Oh My God and Everyday I Love You Less and Less establish the rhythmic and melodic vocabulary, with close arrangements beneath the apparent commotion.
Yours Truly, Angry Mob
Ruby is the immediate introduction, while the title track shows a more pointed and insistent use of repetition within the band’s pop construction.
Off with Their Heads
Never Miss a Beat offers a useful route into a third album that keeps the early energy while continuing to change the production and shape of the hooks.