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Moloko

Why we feature this artist The club hit keeps an odd imagination behind it Moloko’s Sing It Back became a dance-floor fixture through a remix, but the partnership behind it had a much stranger musical imagination than one smooth house groove suggests. Róisín M…

From
United Kingdom
Sound
electronic, trip hop, downtempo
Active
1994–2004

Start with the music

Tracks to explore

1 track

The artist, in context

The story of Moloko

Why we feature this artist

The club hit keeps an odd imagination behind it

Moloko’s Sing It Back became a dance-floor fixture through a remix, but the partnership behind it had a much stranger musical imagination than one smooth house groove suggests. Róisín Murphy and Mark Brydon combine an expressive, theatrical voice with production willing to bend the shape of a song. Their albums reward the moments when that individuality remains slightly unruly.

The original and the remix are different chapters

Do You Like My Tight Sweater? in 1995 established the first recording world. I Am Not a Doctor followed in 1998, including the original Sing It Back. The later Boris Dlugosch treatment in 1999 gives the song a more expansive house setting, allowing Murphy’s vocal phrases to unfold within a different rhythmic space.

That distinction matters when hearing the catalogue. The remix did not invent the writing, and the original arrangement does not have to resemble the version that travelled furthest. Both document a particular musical decision, showing how a vocal and composition can acquire another life through the work of a remixer.

The albums keep their own sense of movement

Things to Make and Do in 2000 includes The Time Is Now, whose rhythmic character creates another route into the duo’s music. The voice has room to lean into a phrase or pull away from it, with the instrumental arrangement responding to those changes of pressure. Statues in 2003 develops the album-scale writing further through songs including Familiar Feeling and Forever More. The longer sequence gives repetition and gradual instrumental change a more substantial role. Moloko’s identity is strongest where the pleasure of movement coexists with an unusual performance detail: a vocal turn, an awkwardly placed response or a texture that refuses to become merely smooth. The widely familiar songs remain useful introductions, while the albums preserve the more exploratory partnership that made them possible.

Essential releases

1998

I Am Not a Doctor

2000

Things to Make and Do

2003

Statues

Sources and further reading

Echo — I Am Not a Doctor original album archive

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Moloko — original Sing It Back writing and remix credits

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Echo — Things to Make and Do original album archive

Open

Echo — Statues original album archive

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