Artist
Narcotic Thrust
Why we feature this artist Narcotic Thrust: the vocal hook and the patient groove I Like It is a record with a very clear centre, but its appeal also lies in the space around that centre. The rhythm stays confident, the vocal has room to make an impression, an…
- From
- United Kingdom
- Sound
- house
- Active
- 1996–present
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The artist, in context
The story of Narcotic Thrust
Why we feature this artist
Narcotic Thrust: the vocal hook and the patient groove
I Like It is a record with a very clear centre, but its appeal also lies in the space around that centre. The rhythm stays confident, the vocal has room to make an impression, and the longer versions let a groove develop without constantly replacing its main idea.
A production partnership
Narcotic Thrust brought together Stuart Crichton and Andy Morris. Their recording history includes Safe from Harm, with Yvonne John Lewis on vocals, before I Like It brought the project to a broader pop and club audience in 2004.
The music gives the voice a strong setting without treating it as an interruption to the instrumental. A sung phrase can become part of the track’s rhythmic identity, with its return doing some of the work another record might give to a new instrumental hook.
I Like It, in different lengths
The original I Like It programme includes a radio edit, a full original, a dub and remixes by Dean Coleman, M’Black, Tom Mangan and others. The longer original and dub each run for more than seven minutes.
Those versions reveal the practical construction of the record. A short edit needs to establish the song quickly; a longer mix can make the preparation and the space between vocal entrances part of the attraction. The groove has enough definition to support both.
A wider set of songs
When the Dawn Breaks and Waiting for You extend the catalogue beyond its most familiar single. They make a useful next step for hearing the project as a body of vocal house recordings.
Begin with the radio-length I Like It, then follow it with a longer mix. The difference is more than duration. The same hook can feel immediate in one setting and become the destination of a patiently developed passage in another.
Essential releases
Safe from Harm
An early vocal-house recording with Yvonne John Lewis.
I Like It
The original single offers radio, full-length, dub and remix perspectives.
Waiting for You
A later recording broadens the project’s vocal-house catalogue.