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Ryan Shaw

Artist

Ryan Shaw

Why we feature this artist A soul singer lets interpretation and new writing meet Ryan Shaw’s Do the 45 makes an immediate case for the physical pleasure of a soul performance. The voice can move from a close phrase to a forceful high entrance without losing t…

From
United States
Sound
Soul, R&B
Active
1998–present

Start with the music

Tracks to explore

1 track

The artist, in context

The story of Ryan Shaw

Why we feature this artist

A soul singer lets interpretation and new writing meet

Ryan Shaw’s Do the 45 makes an immediate case for the physical pleasure of a soul performance. The voice can move from a close phrase to a forceful high entrance without losing the rhythm beneath it.

The first album brings a performer’s history into the studio

This Is Ryan Shaw arrived in 2007, following years of gospel singing, theatre and work with the Fabulous Soul Shakers. That experience helps explain the confidence of the delivery, but the recording is more than a demonstration of range. Shaw’s phrasing makes the exchange between a lead line, the instrumental response and a backing voice feel active.

The early partnership with Jimmy Bralower and Johnny Gale gave the songs a carefully considered setting. Familiar soul forms could provide a starting point while the actual performances supplied their own timing and emphasis. We Got Love and Do the 45 show different aspects of that first recording chapter.

Real Love gives the songwriter a larger place

Real Love followed in 2012, with Karina and the title song among its points of entry. More original writing sits within the album’s older musical vocabulary, making the connection to classic soul a matter of craft as well as repertoire. Imagining Marvin in 2020 takes a different approach to that relationship. Marvin Gaye’s work provides the central conversation, with new songs sharing the record with interpretations and guests including Rob Thomas and Derek Trucks. Shaw’s account of the project describes trying material in front of an audience before the final recording, allowing the performance to establish what the song needed. The distinction between a tribute and a new statement becomes less rigid when the singer’s own experience is allowed into the phrasing. The records are strongest where that experience changes a familiar musical gesture, making the inherited form feel like something happening in the present.

Essential releases

2007

This Is Ryan Shaw

2012

Real Love

2020

Imagining Marvin

Sources and further reading

NPO 3FM — Ryan Shaw original gospel, theatre and early recording history

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Ryan Shaw — first-person Imagining Marvin recording interview

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Dynotone — Real Love original album release archive

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CBS — original July 2007 This Is Ryan Shaw performance and debut context

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