Artist
Sara Bareilles
Why we feature this artist A pianist with a dramatist’s ear for a sentence Sara Bareilles can make a pop song sound like a person finding the exact sentence they need. The piano gives her writing a strong harmonic and rhythmic foundation, while the singing can…
- From
- United States
- Sound
- Pop, pop rock, soul
- Active
- 2002–present
Start with the music
Tracks to explore
The artist, in context
The story of Sara Bareilles
Why we feature this artist
A pianist with a dramatist’s ear for a sentence
Sara Bareilles can make a pop song sound like a person finding the exact sentence they need. The piano gives her writing a strong harmonic and rhythmic foundation, while the singing can turn from conversational to expansive within a phrase. Her later work for musical theatre made explicit a gift for character and emotional timing already present in the albums.
The records around Love Song
An independent album, Careful Confessions, preceded the wider breakthrough of Little Voice in 2007. Love Song gave Bareilles an immediately recognisable opening piano figure and a chorus with an unusually pointed refusal at its centre. Gravity revealed a more exposed side of the same record, allowing a slower melodic line to carry the emotional pressure.
Kaleidoscope Heart followed in 2010 with King of Anything. The song's wit depends partly on the balance between a buoyant rhythm and a firm boundary being drawn in the lyric. The Blessed Unrest in 2013, including Brave and I Choose You, broadened the production while preserving that ability to make a clear emotional position feel like a living conversation.
Writing for Waitress
Bareilles wrote the music and lyrics for Waitress, which reached Broadway in 2016. She Used to Be Mine became one of its defining songs, placing a character's self-recognition inside a melody with enough room for hesitation and a substantial release. The score required songs to do dramatic work beyond providing a standalone hook, extending rather than replacing her earlier instincts.
Amidst the Chaos arrived in 2019, recorded with T Bone Burnett. Its more grounded instrumental setting gave the writing another kind of space, with Armor and Orpheus among the central performances. Across pop records and theatre, Bareilles is especially effective when the melody allows a thought to change as it is being sung, so that the final line feels discovered rather than merely delivered.
Essential releases
Little Voice
Love Song and Gravity introduce contrasting scales of performance around the same strong piano-based writing.
The Blessed Unrest
Brave and I Choose You place direct emotional statements inside a broader production palette.
Amidst the Chaos
The T Bone Burnett collaboration gives the songs a more grounded instrumental setting.