Artist
Sigma
Why we feature this artist Drum-and-bass speed with a pop chorus in view Sigma's breakthrough singles put a large, emotionally direct vocal at the centre of drum-and-bass production. The drums could move quickly while the chorus seemed to open in a much broade…
- From
- United Kingdom
- Sound
- Drum and bass
- Active
- 2007–present
Start with the music
Tracks to explore
The artist, in context
The story of Sigma
Why we feature this artist
Drum-and-bass speed with a pop chorus in view
Sigma's breakthrough singles put a large, emotionally direct vocal at the centre of drum-and-bass production. The drums could move quickly while the chorus seemed to open in a much broader time. Cameron Edwards and Joe Lenzie used that contrast to make records that worked as club tracks and as immediately recognisable pop songs.
Nobody to Love and the first album
The duo had worked within drum and bass before Nobody to Love reached a much larger audience in 2014. The record reworked the central vocal idea from Kanye West's Bound 2, turning it into a concise, high-lift dance single. Its success was followed by Changing, with Paloma Faith, which made the relationship between a distinctive singer and the rhythmic production even more explicit.
Life appeared in 2015, gathering those tracks with Higher, featuring Labrinth, and Glitterball, featuring Ella Henderson. The guests did not merely provide interchangeable hooks. Each voice changed the weight and character of the record, while the duo supplied a production framework able to move from a comparatively exposed opening toward a much larger rhythmic release.
The longer album catalogue
Hope followed in 2022, with collaborators including John Newman, Jack Savoretti and LOWES. The gap between albums did not mean the project had remained inactive; the catalogue had continued through singles and collaborations, a format well suited to producers whose work changes with the singer in front of the microphone.
Later material, including the Adrenaline Rush recordings, retained a close connection to rave and sound-system energy. The most persuasive Sigma tracks make the pop chorus feel like a necessary part of that energy rather than a concession added above it. A short vocal phrase can provide the emotional reason for the build, while the drums turn that reason into something a room can physically share.
Essential releases
Nobody to Love
The breakthrough single transforms a familiar vocal idea into an immediately accessible drum-and-bass record.
Life
Changing, Higher and Glitterball show how different guest voices alter the duo's pop-facing sound.
Hope
A second album extends the collaboration-led catalogue with a wider set of vocal personalities.