Artist
Steps
Why we feature this artist Melancholy given a perfectly clear dance routine Steps made an unusually explicit promise: a large chorus, a recognisable routine and feelings presented clearly enough for everyone in the room to take part. The songs could be cheerfu…
- From
- United Kingdom
- Sound
- Pop, dance-pop
- Active
- 1997–2001, 2011–2012, 2017–present
Start with the music
Tracks to explore
The artist, in context
The story of Steps
Why we feature this artist
Melancholy given a perfectly clear dance routine
Steps made an unusually explicit promise: a large chorus, a recognisable routine and feelings presented clearly enough for everyone in the room to take part. The songs could be cheerful on the surface while dealing with rejection or regret. That combination gave the group a stronger musical identity than the first novelty single alone might suggest.
The first three albums
Faye Tozer, Claire Richards, Lisa Scott-Lee, Lee Latchford-Evans and Ian 'H' Watkins arrived together in the late nineties. After 5,6,7,8, the debut album Step One in 1998 brought One for Sorrow, Last Thing on My Mind and Better Best Forgotten. The arrangements made the vocal parts easy to distinguish while giving the choruses a shared, collective weight.
Steptacular followed in 1999, with Love's Got a Hold on My Heart, After the Love Has Gone and Deeper Shade of Blue. Their version of the Bee Gees' Tragedy became another defining performance from this period. Buzz in 2000 continued the sequence with songs including Stomp and It's the Way You Make Me Feel, placing the act more firmly inside contemporary dance-pop.
The return to the dancefloor
After the original split and later reunion, Tears on the Dancefloor appeared in 2017. Scared of the Dark made a particularly persuasive introduction, preserving the scale and emotional clarity of the early singles while updating the production. Story of a Heart, written by Benny Andersson and Björn Ulvaeus, made the connection to an older tradition of dramatic pop especially clear.
The return worked because the musical principle had not depended entirely on being young or fashionable. A strong melody could make a difficult feeling public, and the dance rhythm could provide a release without changing the words. Steps' choreography gave that idea a visible form, but the songs already contained the essential movement between private disappointment and a room willing to sing it together.
Essential releases
Step One
One for Sorrow and Better Best Forgotten establish the group's direct, collectively sung pop identity.
Steptacular
Deeper Shade of Blue and After the Love Has Gone give the dance-pop sound a more pronounced emotional shadow.
Tears on the Dancefloor
Scared of the Dark makes a strong musical case for the later reunion.