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The Ting Tings

Artist

The Ting Tings

Why we feature this artist A two-person band that could make a short phrase take over The Ting Tings' early singles turned repetition into personality. Katie White could make a short phrase sound like a refusal, an accusation or a joke, while Jules De Martino …

From
United Kingdom
Sound
Indie pop, dance-punk
Active
2007–present

Start with the music

Tracks to explore

2 tracks

The artist, in context

The story of The Ting Tings

Why we feature this artist

A two-person band that could make a short phrase take over

The Ting Tings' early singles turned repetition into personality. Katie White could make a short phrase sound like a refusal, an accusation or a joke, while Jules De Martino supplied a sharply organised rhythmic setting. The small line-up was an advantage: the records made their principal sounds clear enough for almost every entrance to feel like an event.

We Started Nothing

We Started Nothing appeared in 2008, including Great DJ, That's Not My Name and Shut Up and Let Me Go. Guitar, drums, electronic parts and vocal responses were arranged for maximum definition rather than a dense band sound. The songs could be playful without becoming vague, with White's timing giving the repeated words a continually changing emphasis.

That's Not My Name makes a mistaken identity into the centre of an increasingly insistent performance. Shut Up and Let Me Go has a different rhythmic character, with a clipped guitar figure and a more obviously danceable instrumental conversation. The contrast helped make the debut a collection of distinct songs even when the basic musical vocabulary remained deliberately limited.

Two different follow-ups

Sounds from Nowheresville arrived in 2012, including Hang It Up. The record changed the production balance and allowed the duo to move away from the precise commercial shape of the first singles. Super Critical followed in 2014, with Wrong Club and Do It Again placing a more explicit disco and funk interest at the centre of the arrangement.

The later changes reveal an enduring preference for a groove with a very clear vocal character inside it. The Ting Tings do not need a large number of instruments to establish that character; a bass movement, a handclap or the sudden absence of a part can change the whole performance. Their strongest tracks make simplicity sound deliberate, with the repeated phrase gaining meaning from exactly what happens around it.

Essential releases

2008

We Started Nothing

2012

Sounds from Nowheresville

2014

Super Critical

Sources and further reading

The Ting Tings — official music archive

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We Started Nothing — original Sony album catalogue

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Super Critical — original Finca recording and track notes

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