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The Twang

Artist

The Twang

Why we feature this artist Birmingham voices over a bass line with room to move The Twang made a local voice and a supple rhythm feel like the centre of a large guitar-pop record. Phil Etheridge and Martin Saunders could give the singing a conversational, shar…

From
United Kingdom
Sound
Indie rock
Active
2004–present

Start with the music

Tracks to explore

1 track

The artist, in context

The story of The Twang

Why we feature this artist

Birmingham voices over a bass line with room to move

The Twang made a local voice and a supple rhythm feel like the centre of a large guitar-pop record. Phil Etheridge and Martin Saunders could give the singing a conversational, shared character, while the instrumental parts kept the music moving with more ease than a straightforward wall of guitars would allow. The first album caught that balance particularly clearly.

Love It When I Feel Like This

The Birmingham band released Love It When I Feel Like This in 2007, with Wide Awake and Either Way providing its best-known introductions. The arrangements connected a broad melodic chorus to a strong rhythmic foundation, leaving room for the vocal phrasing to sound casually spoken even when the hook was being pushed toward a much larger scale.

Either Way is especially revealing in the way it turns uncertainty into something a room can sing. The voice does not have to resolve every complication in the situation for the chorus to work. Bass movement, guitar colour and the presence of another singer give the performance a social character, making it feel less like one isolated narrator over a neutral backing.

Jewellery Quarter and the independent records

Jewellery Quarter followed in 2009, with Youth producing and Barney Rubble among its central singles. The album's title made the Birmingham connection explicit, while the recording setting gave the songs another degree of instrumental and rhythmic detail. The change did not require the band to abandon the directness of its original presentation.

10:20 appeared in 2012 through the group's own Jump the Cut label, followed by further records in an independent setting. The sequence is useful because it separates the music from the brief rush of early attention. The Twang's lasting character lies in the relationship between recognisable voices and a groove that leaves them room to breathe, with a melodic refrain able to turn an unresolved conversation into a shared moment.

Essential releases

2007

Love It When I Feel Like This

2009

Jewellery Quarter

2012

10:20

Sources and further reading

The Twang — Universal recording and label history

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The Twang — original album and singles chart archive

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The Twang — licensed recording catalogue

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