Artist
Yolanda Be Cool
Why we feature this artist A sample can be the beginning of a new conversation Yolanda Be Cool’s We No Speak Americano made an older Italian vocal recording part of an immediately recognisable house track. The short phrases, bass movement and sharply defined r…
- From
- Australia
- Sound
- House, electronic
- Active
- 2009–present
Start with the music
Tracks to explore
The artist, in context
The story of Yolanda Be Cool
Why we feature this artist
A sample can be the beginning of a new conversation
Yolanda Be Cool’s We No Speak Americano made an older Italian vocal recording part of an immediately recognisable house track. The short phrases, bass movement and sharply defined rhythm give recognition a new physical purpose.
The duo and the collaboration are separate identities
Andrew Stanley and Matthew Handley form Yolanda Be Cool. Their 2010 recording with producer DCUP is a particular collaboration within that wider project, drawing on Renato Carosone’s Tu vuò fa’ l’americano. The source material supplies much of the first impression, while the arrangement determines how its fragments behave inside a contemporary dance record.
That distinction is useful when approaching the catalogue. The duo’s identity extends beyond one partner and one sampled song, with DJ work and other productions developing a broader sense of rhythm, selection and how an unexpected musical reference can work in a club.
Ladies & Mentalmen lets different singers change the scene
The 2012 album gathers a varied group of voices, including Barbara Tucker on Love Keeps, Betty Wright on Paper Girl, Omar on To Be Alone and Gurrumul on A Baru in New York. Those encounters do more than supply a list of guests. Each singer changes the emotional weight and melodic possibilities of the instrumental setting. The album therefore offers a useful counterpart to the immediate sample recognition of We No Speak Americano. A newly recorded vocal can become the centre of a more sustained song, while the producers continue to organise the movement around it. Later singles and DJ mixes keep that relationship between selection and construction active. Yolanda Be Cool are most interesting where the record offers an inviting first gesture and then makes a smaller rhythmic or vocal detail matter, letting the pleasure of familiarity lead into something more specifically their own.
Essential releases
We No Speak Americano — with DCUP
A particular collaboration reframes Renato Carosone’s recording within a concise house arrangement.
Ladies & Mentalmen
Contrasting guest singers make the album a broader statement than the best-known sampled single.
To Be Alone — featuring Omar
A sustained vocal encounter provides one especially useful route into the album’s range.