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Jaap Reesema

Artist

Jaap Reesema

Why we feature this artist A large voice learning a closer language Jaap Reesema’s singing has an immediate physical presence. A line can expand into a broad, confident refrain without losing its melodic clarity, which made him a natural fit for the dramatic s…

From
Netherlands
Sound
Pop, dance
Active
2010–present

Start with the music

Tracks to explore

1 track

The artist, in context

The story of Jaap Reesema

Why we feature this artist

A large voice learning a closer language

Jaap Reesema’s singing has an immediate physical presence. A line can expand into a broad, confident refrain without losing its melodic clarity, which made him a natural fit for the dramatic setting of a televised final. The later songs reveal another useful quality: the same voice can come closer, allowing a more conversational lyric to carry the weight.

The first public chapter

Reesema won the Dutch X Factor in 2010, with a version of Journey’s “Don’t Stop Believin’” introducing him to a wide audience. The song already has a powerful public identity, so the performance depends on the singer’s ability to make a familiar build feel convincing in the present moment.

The early album Changing Man and the move towards Dutch-language material form another part of that history. “Mijn Wereld Op Z’n Kop” appeared in 2013, giving the writing a different relationship to the voice. The change in language allowed a more immediately local, everyday kind of address alongside the large melodic gestures.

The words move into the foreground

Songs including “Nu Wij Niet Meer Praten”, with Pommelien Thijs, “Alles Komt Goed” and “Grijs” provide useful later points of contact. His appearances in the Beste Zangers setting also place the act of interpretation in view: a known song can become a chance to reconsider the tone and emphasis of each line.

The distance between a familiar English-language anthem and the later Dutch repertoire is part of Reesema’s musical story. The vocal strength remains obvious, but the subject can feel nearer to ordinary speech. A phrase does not always need the largest available note to make its point. The most effective performances let the scale of the singing follow the thought, preserving the sense of a person addressing someone rather than only filling a room.

Essential releases

2010

Don’t Stop Believin’

2013

Mijn Wereld Op Z’n Kop

Sources and further reading

Jaap Reesema — NPO original artist and debut history

Open

Jake Reese and Jaap Reesema — NPO recording history

Open

AVROTROS — original Jaap Reesema songs in Beste Zangers

Open