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Artist

Scatman John

Why we feature this artist The jazz singer inside a nineties dance phenomenon Scatman John's best-known records turned a highly individual vocal skill into an unmistakable dance-pop sound. Rapid scat syllables, a bright electronic rhythm and a message about fi…

From
United States
Sound
Eurodance, scat singing, jazz
Active
1970s–1999

Start with the music

Tracks to explore

1 track

The artist, in context

The story of Scatman John

Why we feature this artist

The jazz singer inside a nineties dance phenomenon

Scatman John's best-known records turned a highly individual vocal skill into an unmistakable dance-pop sound. Rapid scat syllables, a bright electronic rhythm and a message about finding your own way to speak made the combination unusual. Behind it was John Larkin, a jazz pianist and singer whose experience reached much further back than the first hit suggested.

John Larkin becomes the Scatman

Born in California in 1942, Larkin developed as a pianist and scat singer long before the European dance records. He had stuttered since childhood, and music provided a different way to express himself. Moving to Berlin brought a new working setting, eventually leading to the project that paired his vocal improvisation with contemporary programmed beats.

Scatman (Ski-Ba-Bop-Ba-Dop-Bop) emerged in the middle of the nineties, followed by the album Scatman's World in 1995. The single's rapid delivery could sound like a technical stunt at first, but the words placed it within a more generous idea. Larkin made the difference in his speech part of the record's meaning, using an infectious pop form to communicate encouragement.

The albums after the breakthrough

Scatman's World extended the project beyond one fast vocal pattern, while Everybody Jam! in 1996 made his affection for jazz more explicit. The title song invoked Louis Armstrong, placing the new dance persona in conversation with a much older musical language. The scat singing belonged to that history even when the beat clearly belonged to the contemporary club.

Take Your Time followed in 1999, before Larkin's death that year. The short late-career recording sequence can obscure the length of the musical preparation behind it. His records are most interesting when heard as a meeting between those two timescales: decades of learning how to phrase at a piano, suddenly translated into a form that made the voice recognisable to people who might never have sought out a jazz performance.

Essential releases

1995

Scatman’s World

1996

Everybody Jam!

1999

Take Your Time

Sources and further reading

Scatman John — official authorised biography

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Scatman John — official release history

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Everybody Jam! — original licensed recording

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