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Thirteen Senses

Why we feature this artist A piano melody at the edge of a wide guitar sound Thirteen Senses' early records gave Will South's high, carefully shaped singing a spacious instrumental setting. The piano could establish a melodic outline before the guitars widened…

From
United Kingdom
Sound
Alternative rock, post-Britpop
Active
2001–present

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Tracks to explore

1 track

The artist, in context

The story of Thirteen Senses

Why we feature this artist

A piano melody at the edge of a wide guitar sound

Thirteen Senses' early records gave Will South's high, carefully shaped singing a spacious instrumental setting. The piano could establish a melodic outline before the guitars widened the scene, with the rhythm section providing a patient, steady centre. Into the Fire became the most familiar introduction, but the albums reveal a more sustained interest in atmosphere and gradual movement.

The Invitation

The Cornwall band brought South together with Tom Welham, Adam Wilson and Brendon James. The Invitation appeared in 2004 through Mercury, with Danton Supple producing. Into the Fire, Thru the Glass and Do No Wrong supplied distinct points of entry, placing direct melodic writing inside arrangements with enough room for a note or chord to linger.

The singing was often most effective when it stayed close to the instrumental texture rather than trying to dominate it. A phrase could rise above the band, then settle back into the surrounding sound, making the production feel like part of the emotional expression. The songs relied on that changing perspective as much as on a sudden increase in volume.

Contact and Crystal Sounds

Contact followed in 2007, including All the Love in Your Hands. The second album preserved the recognisable voice and piano while giving the arrangements a different degree of rhythmic and instrumental pressure. It continued the earlier sound without making every song follow the exact build that had first brought attention.

Crystal Sounds arrived in 2011, with Home among its principal tracks, and later albums extended the band's more atmospheric interests. The sequence gives the first singles a useful context: melodic guitar music was the entrance, but the records were also concerned with what happens between the obvious hooks. A sustained chord, a delayed vocal entrance or an instrumental passage could carry a feeling that the lyric had deliberately left open.

Essential releases

2004

The Invitation

2007

Contact

2011

Crystal Sounds

Sources and further reading

Into the Fire — original Mercury musicians and production credits

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Contact — original Mercury album catalogue

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Crystal Sounds — original recording information

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